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Films recommended by our reviewers are indicated by an *.

African Cats (G)

The story features Mara, an endearing lion cub who strives to grow up with her mother's strength, spirit and wisdom; Sita, a fearless cheetah and single mother of five mischievous newborns; and Fang, a proud leader of the pride who must defend his family from a once-banished lion. — Not reviewed

Chapel Hills 15, Tinseltown

Arthur (PG-13)

On the threshold of an arranged marriage with a simpering socialite whom he does not love, Arthur meets a spunky tour guide, and falls head over heels. — Not reviewed

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Atlas Shrugged: Part 1 (PG-13)

With American society in decay, railroad magnate Dagny Taggart begins to notice the mysterious disappearance of the world's leading artists, businessmen and thinkers. — Not reviewed

Chapel Hills 15

Battle: Los Angeles (PG)

What were once just sightings will become a terrifying reality when Earth is attacked by unknown forces. — Not reviewed

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*Bridesmaids (R)

In plenty of ways, the film sticks to a successful Apatow formula. The story structure is never so rigid that it won't allow room for freelancing a randomly (and hilariously) off-color conversation. The dialogue snaps with intelligence, and while belly laughs are the meat on the menu, there's a sentimental side. — Scott Renshaw

Carmike 10, Chapel Hills 15, Cinemark 16, Hollywood Interquest, Tinseltown

The Conspirator (PG-13)

It's not like we can really feel Robert Redford yearning for the good old days of big-screen didacticism. It's more like he's on auto-pilot. The one thing a movie with a bleeding heart should not be is bloodless, and this one almost is. — Jonathan Kiefer

Chapel Hills 15

Diary of a Wimpy Kid: Rodrick Rules (PG)

As he begins seventh grade, Greg and his older brother Rodrick must deal with their parents' misguided attempts to have them bond. — Not reviewed

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Everything Must Go (R)

On paper, the film has everything going for it: one of comedy's biggest stars stretching a dramatic muscle that keeps getting stronger; a strong supporting cast; roots in a Raymond Carver short story; and direction from Dan Rush. So why is it so listless? — Justin Strout

Kimball's Peak Three

Gnomeo & Juliet (G)

Garden gnomes play a bit of Shakespeare in this animated comedy. — Not reviewed

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Fast Five (PG-13)

Maybe I'm just getting too old for this, but I'm tired of seeing people who do bad championed as heroes merely because the bad they do isn't that bad. — MaryAnn Johanson

Carmike 10, Chapel Hills 15, Cinemark 16, Tinseltown

Hanna (PG-13)

It seems depressingly ill-advised for director Joe Wright to even bother attempting this Femme Nikita foolishness at all. Yet there he goes busying himself with pretentious allusions to harrowing fairy tales. — Jonathan Kiefer

Cinemark 16

Hoodwinked Too! Hood vs. Evil (PG)

This sequel finds our heroine training with a mysterious covert group called the Sisters of the Hood. But, Red is forced to cut her training short when she gets an urgent call from Nicky Flippers. — Not reviewed

Chapel Hills 15, Cinemark 16, Tinseltown

Hop (PG)

A comedy about E.B., the teenage son of the Easter Bunny. On the eve of taking over the family business, E.B. leaves for Hollywood in pursuit of his dream of becoming a drummer. — Not reviewed

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I Am Number Four (PG-13)

A thriller about an extraordinary young man who is a fugitive on the run from ruthless enemies sent to destroy him. — Not reviewed

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Insidious (PG-13)

When tragedy strikes their young son, Josh and Renai begin to experience things that science cannot explain. — Not reviewed

Chapel Hills 15

*Jane Eyre (PG-13)

Charlotte Brontë's 1847 novel has been adapted into some form of motion picture at least once every decade since 1914. By being greater than the sum of its parts, this Jane Eyre should stay fresh — at least until the next one. — Jonathan Kiefer

Kimball's Peak Three

Jumping the Broom (PG-13)

A collision of worlds when two African-American families from divergent socioeconomic backgrounds get together one weekend in Martha's Vineyard for a wedding. — Not reviewed

Carmike 10, Chapel Hills 15, Cinemark 16, Tinseltown

Just Go With It (PG-13)

Adam Sandler is a plastic surgeon who creates a lie of being previously married to win a girl's affections. — Not reviewed

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Limitless (PG-13)

Aspiring author Eddie Morra suffers from chronic writer's block, but his life changes instantly when an old friend introduces him to NZT. — Not reviewed

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Mars Needs Moms (PG)

We get elaborate set designs that are terribly cool in an "Isn't this awesome in 3-D" sort of way. Yet with these motion-captured characters, it feels even less genuinely engaging than a now-conventional computer-animated story. — Scott Renshaw

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Paul (R)

Like it was some sort of nerdnip, Simon Pegg and Nick Frost give us familiar one-liners to roll around in until we're too giddy to think straight. Past that, Paul doesn't offer much. — Scott Renshaw

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*Priest (PG-13)

Priest is pretty awesomely good. Part of the reason is because it's all about the clash between the power of The Church and the power of personal faith and belief. Oh, and it's also about killing nasty vampire monsters and blowing things up and stuff. — MaryAnn Johanson

Carmike 10, Chapel Hills 15, Cinemark 16, Hollywood Interquest, Tinseltown

*Rango (PG-13)

Rango isn't just a great feature-length cartoon: It's effortlessly the best movie of 2011 so far, and it's the best Western in ages. — MaryAnn Johanson

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*Red Riding Hood (PG-13)

Despite a creaky start, Orphan screenwriter David Leslie Johnson works matinee magic, contorting the material into an easy bull's-eye for director Catherine Hardwicke to hit. — Justin Strout

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Rio (G)

Blu think he's the last of his kind, but when he learns about another Macaw who lives in Rio de Janeiro, he heads to the faraway and exotic land to find Jewel, his female counterpart. — Not reviewed

Carmike 10, Chapel Hills 15, Cinemark 16, Hollywood Interquest, Tinseltown

Something Borrowed (PG-13)

Rachel is a talented attorney at a top New York law firm, a generous and loyal friend and, unhappily, still single, until one night when she ends up in the bed of the guy she's had a crush on since law school. — Not reviewed

Chapel Hills 15, Cinemark 16, Hollywood Interquest, Tinseltown

Soul Surfer (PG)

The true story of teen surfer Bethany Hamilton, who lost her arm in a shark attack and overcame all odds to become a champion again. — Not reviewed

Chapel Hills 15, Cinemark 16, Hollywood Interquest

Source Code (PG-13)

Where the whole endeavor could have been kinda sorta OK but not really all that great, it ends up being hugely distasteful, and idiotic for not even realizing it. — MaryAnn Johanson

Hollywood Interquest

Sucker Punch (PG-13)

Those only interested in seeing attractive women in skimpy outfits kicking ass will find all they want in Sucker Punch. But those who want to see a movie that's actually good will instead leave just feeling like a sucker. — Dan Hudak

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*Thor (PG-13)

Thor shows that director Kenneth Branagh grasps these fundamental realities: He nails a unique tone, and he has a lead actor who understands how to play a god. — Scott Renshaw

Carmike 10, Chapel Hills 15, Cinemark 16, Hollywood Interquest, Tinseltown

Tyler Perry's Madea's Big Happy Family (PG-13)

When Madea's niece, Shirley, receives distressing news about her health, all she wants is to gather her three adult children around her and share the news as a family. — Not reviewed

Carmike 10

Water for Elephants (PG-13)

During the Great Depression, Jacob, a penniless and recently orphaned veterinary school student, parlays his expertise with animals into a job with a second-rate traveling circus. — Not reviewed

Cinemark 16, Hollywood Interquest, Tinseltown

Win Win (R)

Writer-director Tom McCarthy has helmed a quietly effective sports movie about a high school wrestling coach. But by wrapping that simple structure in silky indie garments McCarthy ends up with a cluttered, messy ensemble that works in dim light but withers the moment you leave the theater. — Justin Strout

Kimball's Peak Three

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